For example, the seven notes of the G Major scale are G, A, B, C, D, E, and F#. In the key of G major, G, C, and D (the I, IV, and V chords) are all major chords, and A, B, and E (the i, iii, and vi chords) are all minor. The seventh note, F#, forms the tonic of a diminished chord.
This pattern holds true for all of the Major keys/scales, and knowing this is one way musicians are able to quickly transpose keys.
Below is a sample I, iii, IV, V progression in the key of G Major. The notation shows one way to play this progression using major and minor chord shapes on the first three strings (see my previous post). For this example I used a simple "punch chord" rhythm, but be sure to experiment with different rhythms, different chord shapes, and different key signatures. I found being able to play this chord progression in all keys and using a variety of chord inversions helped to develop my ear and knowledge of the fretboard.
Once I have worked out a few software issues, I will put up the audio/video for this example.
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